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Follow On Twitter| @RetroEraTV An impresario in the broadest and most creative sense of the word, Quincy Jones' career has encompassed the roles of composer, record producer, artist, film producer, arranger, conductor, instrumentalist, TV producer, record company executive, magazine founder and multi-media entrepreneur. As a master inventor of musical hybrids, he has shuffled pop, soul, hip-hop, jazz, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performance, movies and television. Celebrating more than 50 years performing and being involved in music, Quincy's creative magic has spanned over six decades, beginning with the music of the post-swing era and continuing through today's high-technology, international multi-media hybrids. In the mid-50′s, he was the first popular conductor-arranger to record with a Fender bass. His theme from the hit TV series Ironside was the first synthesizer-based pop theme song. As the first black composer to be embraced by the Hollywood establishment in the 60′s, he helped refresh movie music with badly needed infusions of jazz and soul. His landmark 1989 album, Back On The Block--named "Album Of The Year" at the 1990 Grammy Awards-- brought such legends as Dizzy Gillespie, Ella Fitzgerald, Sarah Vaughan and Miles Davis together with Ice T, Big Daddy Kane and Melle Mel to create the first fusion of the be bop and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis' live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions, garnered a Grammy Award for Best Large Jazz Ensemble Performance. As producer and conductor of the historic "We Are The World" recording (the best-selling single of all time) and Michael Jackson's multi-platinum solo albums, Off The Wall, Bad and Thriller (the best selling album of all time, with over 46 million copies sold), Quincy Jones stands as one of the most successful and admired creative artist/executives in the entertainment world.
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they say love and knowledge will light the way! it's another one of them digga joints.......let me know what you think about it and rate, comment and share ;-) music makes the world go round so let's keep it spinning!!!!!!!!!!!! ;-) xtra tags: "Ice" "Kid President" "UK" "Lin" "Tebow" "New York" "London" "Los Angeles" "Florida" "Miami" "Atlanta" "Baby" "Shake" "Partner" "Mark" "Omara" "Obama" "Young" "Lex" "Luger" "2012" "New" "Banger" "Free" "Beat" "Rap" "Music" "Hip Hop" "Diss" "Eminem" "Flow" "Quoting" "East" "Boston" "New" "Banger" "Free" "Beat" "Music" "Diss" "Roxbury" "Mattapan" "Dorchester" "Adele" "Rihanna" "Chris Brown" "Amir" "Khan" "Miguel" "Cotto" "George" "Zimmerman" "Max B" "Jeezy" "Lady Gaga" "Young Money" "Kanye West" "Knockout" "Controversial" "Breaking News" "Manny Pacquiao" "Floyd Mayweather" "Trayvon" "Martin" "Classic" "Disco" "Gambling" "Bet" "Las Vegas" "Dr Dre" "GANGNAM" "STYLE" "Sandy" "psy" "canelo" "2013" "Adrien Broner" "Danny Garcia" "SB" "Super Bowl" "Kid President" "Harlem Shake"
This beat is called "In Control" I didn't upload the full song but it pretty much is just the same throughout the entire song which is 2:54 in length. All I did was upload a proportion of it that makes up the beat. "In Control" has more of a mid-tempo to slow rnb type feel to it and it can be slowed up or down if you'd like to have the midi files along with the purchase of the beat. It can be used for FREE for non-commercial use or you can buy the beat off of me for close to nothing. It's not about the money right now i'm just trying to get my name out there and show others what I can do with making beats and producing them! :) If you'd like to talk to me about the beat or if you have any questions about the production and/or would like to collaborate definitely give me an email at: firstname.lastname@example.org I'm definitely more than willing to answer any questions and would love to have the opportunity to work with others with their productions as well. Also if you would like to find out if I have any other beats you would like to purchase or use contact me, again, at: email@example.com Also a couple of last few important words. ALL of these beats are FREE to use for non-commercial purposes but if you're trying to use them in your mixtapes or any where other than outside of non-commercial use please email me about the use and/or purchase of it. I'm more than flexible on every beat/song i'll be uploading. Thanks alot guys! Enjoi. -Turn3r Productions